Colonialism

The Yekatit 12 is a monument in Addis Ababa commemorating victims of Italian reprisals following an attempt to kill the Marshal Rodolfo Graziani, marchese di Neghelli, Viceroy of Italian East Africa, on 19 February 1937, or Yekatit 12 in the 

The National Museum of Gitega is the national museum of Burundi.

The Museum of the Revolution is a museum located in Algeria. The Museum displays a collection of memorabilia from Algeria's war of independence against France. It was established in 1968.

The origin of the museum dates back to the Brussels International Exposition of 1897. At King Leopold II’s behest, The ‘Colonial Section’ of the exhibition was moved to the ‘Colonial Palace’ in Tervuren. The exhibition halls were home to naturalised animals, geographic samples, commodities, Congolese ethnographic and artistic objects and art objects created in Belgium. An African village was recreated in the park and this was home to Congolese individuals during the day. Seven of these Congolese died during their time in the village.

The museum showcases Rwanda’s colonial era under Germany and the cooperation between the two countries. Kandt House Museum derives its name from Richard Kandt, the German physician and explorer who constructed and resided in the house in 1908, marking the birth of the capital of Kigali.

The Independence Memorial Museum is a historical museum in Windhoek, Namibia. It focuses on the anti-colonial resistance and the national liberation struggle of Namibia. The museum is located on Robert Mugabe Avenue and was designed and built by Mansudae Overseas Projects, a North Korean firm. The museum was inaugurated on March 21, 2014, the twenty-fourth anniversary of independence of the country, by President Hifikepunye Pohamba.

The museum began as the colonial exhibition of 1931, was renamed in 1935 the Musée de la France d’Outre-mer, then in 1960 the Musée des Arts africains et océaniens due to the Franco-Algerian War. In the 1990s, the museum would remove many overtly colonialist materials and stress their artistic and heritage value. The museum became a department of the Louvre and became the Musée des Arts d'Afrique et d'Océanie.

Set in a 1920s black-and-white bungalow, this gallery showcases the cosmopolitan nature of Singapore as a British Crown colony in the 1920s and 1930s.