The House of Terror Museum - the only one of its kind - is a monument to the memory of those held captive, tortured and killed in this building. The Museum, while presenting the horrors in a tangible way, also intends to make people understand that the sacrifice for freedom was not in vain. Ultimately, the fight against the two cruellest systems of the 20th century ended with the victory of the forces of freedom and independence.

The War Museum was established by the Hellenic State in 1964 in order to honor all those who fought for the country's freedom. The relevant study was undertaken by a team of distinguished scientists, headed by Professor Thoukidides Valentis of the National Technical University of Athens (N.T.U.A). On July 18, 1975, the President of the Hellenic Republic H.E. Constantine Tsatsos and the Minister of National Defense Evangelos Averof-Tositsas inaugurated the Museum.

The International Slavery Museum increases the understanding of transatlantic, chattel and other forms of enslavement. Through our collections, public engagement and research, we explore their impact and legacies.

We are a campaigning museum that actively engages with contemporary human rights issues. We address ignorance and challenge intolerance, building partnerships with museums, communities and organisations that share our vision.

The Atlantic Wall (German: Atlantikwall) was an extensive system of coastal defence and fortifications built by Nazi Germany between 1942 and 1944, along the coast of continental Europe and Scandinavia as a defence against an anticipated Allied invasion of Nazi-occupied Europe from the United Kingdom, during World War II. The museum is a military museum near Ostend in Belgium which preserves fortifications of the Atlantic Wall dating to the First and Second World Wars.

The Campo Fossoli Foundation was established in January 1996 by the Municipality of Carpi and the ASSOCIATION OF FRIENDS OF THE FIELD OF FOSSOLI AND THE MONUMENT MUSEUM TO THE DEPORTED.

With immersive scenography and numerous multimedia devices, this committed exhibition confronts the public with their own representations. At the crossroads of anthropology, biology, economics, sociology and history, and based on the latest discoveries, it examines the phenomena of racialisation and demonstrates that racism is a social construct.

The memorial is of metal shoes on the edge of the Danube. The Jews were ordered to take off their shoes, and were shot at the edge of the water so that their bodies fell into the river and were carried away. It represents their shoes left behind on the bank. The Fascist Arrow Cross militiamen carried out the shootings.

World War I was a complex and ambiguous event. The time has come to overcome traditional narratives and categories of nations, epic pictures of war, debates about war guilt and rivalries between a History from "above" and one from “below”. In this virtual exhibition, we would like to invite you to explore World War I from different perspectives with all its inconsistencies.

Visions of War examines how serving soldiers and official war artists depicted conflict on the Western Front during World War One in paintings, drawings, watercolours and sculpture. It touches upon the lives of the artists and soldiers who made these works and explores their artistic approaches.

The National Museum's new exhibition about Denmark's colonial history in the West Indies, India, West Africa and Greenland is not about trade, commodities and resources but about people. We meet the West Indian rebel Queen Mary, the Gold Coast slave trader Ludvig Rømer, the Greenlandic prophet Habakuk, the enslaved West Indian Franciscus, and many more. People who embody dramatic stories of loss, divided families, fear and violence. But also hope, broken chains and the power of uprising.