Established in 1992 as a reminder of the unforgivable crime against Serbs, Jews and Roma people which happened during the Second World War. This museum collects data about concentration camps, forced displacement, the devastation of cultural and historical monuments for the educational and historical purposes. Here you can see collections such as “They were just children”, which exhibits data about almost 20.000 boys and girls whose remains were found in one of the tombs at the Jasenovac concentration camp.

The museum brings together the largest collections relating to the French resistance during the Second World War. The Museum of National Resistance in Champigny-sur-Marne shows the history of the French Resistance from its inception up to the Liberation. It enables visitors to gain better understanding of the origins of the French Resistance, its rise to power, its gradual unification and its contribution to the Liberation of the French nation and to the definition of post-war France.

Tate Britain presents a major exhibition of art associated with the British Empire from the 16th century to the present day. Featuring a vast array of objects from collections across Britain, including maps, flags, paintings, photographs, sculptures and artefacts, the exhibition examines how the histories of the British Empire have shaped art past and present. Contemporary works within the exhibition suggest that the ramifications of the Empire are far from over.

The Museum was founded in 1971 at the instigation of Denise Lorach, a concentration camp survivor, and provides an in-depth and emotional portrayal of this dark period of history.

A one-room museum in the old Bryggen Hanseatic quarter in the heart of Bergen, Norway. Its main exhibit is the room itself that houses the museum – for this reason it is also known under the epithet "Theta Room" (rather than "museum"). It was the secret HQ of a local branch of the Norwegian Resistance during the German occupation in WWII. It was in fact so well hidden that it was only discovered by accident by the Germans, who promptly destroyed it, in 1942. The present room is therefore only a reconstruction.
 

Mauthausen was declared a national memorial site in 1949. Bruno Kreisky, the Chancellor of Austria, officially opened the Mauthausen Museum on 3 May 1975, 30 years after the camp's liberation. A visitor centre was inaugurated in 2003, designed by the architects Herwig Mayer, Christoph Schwarz, and Karl Peyrer-Heimstätt, covering an area of 2,845 square metres (30,620 sq ft).

McIntosh Gallery is pleased to present an exhibition by Rehab Nazzal. The show is based on Nazzal’s year-long research in the occupied West Bank and features an array of works that engage gallery-goers through sight, hearing and smell. In this multi-media exhibition, social commentary and critique intersect with expressive response to the severe realities in the conflict zone, and offers a space where critical inquiry as well as reflection may take place.

The recent interest in the history of female suffrage in Ireland is welcome, although much delayed. In this centenary year the Library of Trinity College Dublin is delighted to have contributed to the work of the Houses of the Oireachtas Vótáil 100 programme, in curating this exhibition, in collaboration with several sister institutions.

Being the first of its kind, this place carves the memory of a continual stage in the history of Lebanon. This is a natural museum, surrounded by the captivating nature and mountains. Its aim is to preserve the places where the Mujahideen lived, giving people the chance to be acquainted with the style of the unique experience of the Islamic resistance against the Israeli enemy, since its occupation of Beirut in 1982.

The show "Veiled, Unveiled! The Headscarf" at Vienna's Weltmuseum (World Museum) puts headscarf diversity on display. "The goal of the exhibition is to reveal the transformations that the headscarf has undergone and that have been forgotten, repressed or those that are simply unknown," Steinmann said.